Thursday, October 13, 2011

Typeface Classifications

Oldstyle: 1435
  • Axis of thick-thin contrast slopes slightly to the left
  • Cross-bar of the lowercase 'e' is horizontal
  • Top serifs are roof-shaped and have triangular form
  • Base serifs have no or hardly any rounding at bottom
  • Examples: Bembo, Garamond, Palatino, Plantin, Albertina
Transitional: 1750
  • Axis of thick-thin contrast is almost vertical or slopes very slightly to the left
  • Base serifs are only a little or virtually not rounded at the bottom
  • Lowercase 'e' has horizontal cross-bar
  • Top serifs of lowercase letters are roof-shaped
  • Serifs sometime rounded, sharpened, or horizontal
  • Examples: Baskerville, Concorde, Fournier, Perpetua, Times New Roman
Modern: 1775
  • Typefaces that have a high thick-thin contrast
  • Serifs sometimes rounded, sharpened, or horizontal
  • Vertical stress axis
  • Thin serifs
  • Emphasis on vertical stroke, sharp contrast, symmetry, and sharp transition to straight serifs
  • Examples: Bodoni, Didot, Walbaum, Linotype Centennial, Vertrina

Slab: 1800's
  • Heavy, rectangular serifs
  • Serif weight is almost as thick as the letter itself
  • Terminals may be blunt, angular, or rounded
  • Examples: Clarendon, Rockwell, Beton, Egyptienne, Courier

Sans-Serif Grotesk (and Gothic): 1920's
  • Line thicknesses seem to be equal, but have a slight visual thick-thin contrast
  • Ascender height is usually equal to the capital height
  • The cure of the lowercase 'e' is pointed up towards the crossbar
  • The lowercase 'g' has an open curve that ends pointing upwards
  • Examples: Akzidenz Grotesk, Helvetica, Univers, Arial, Futura
Sans-Serif Humanist:
  • No serifs
  • Line widths are visually equal
  • Extension on lowercase 'e' points to right instead of turning toward the cross-bar
  • Lowercase 'g' often has classic form with two 'bowls'
  • Characters have more distinguishing forms than those of other sans-serifs
  • Examples: Gill Sans, Profile, Frutiger, Scala, Myriad

Sans-Serif Geometric:
  • No serifs
  • Axis of roundings is vertical
  • Letters seem to have been drawn using ruler and compass
  • Line thicknesses are only visually and minimally corrected
  • Examples: Futura, Avenir, DTL Nobel, Erbar, Eurostile

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